摘要： 人文城市建构中的“文学范式”立足“文本化”策略，注重对深度意义的解读，却遮蔽了人文城市的物质性和“浅表”的文化意义。“表域”是人文城市重要的美学资源，基于“像似意识”凸显物质性的文化与审美意涵，生成多样的美学体验。“表域”的有效组合及其与身体的互动形成情境性、具身性的“物境”，它们构成具有辨识度的“城市意象”，营造居间性的审美“气氛”，并能调动身体运动的空间生产实践以及身体间的互动联结。“表域”的美学和“物境”的审美实践体现审美物质性，成为理解、建构人文城市的新视角。但它也蕴含体制性、商业性、民间性的张力，潜藏权力规训、消费主义、阶层区隔的风险。强调人文城市的审美物质性还应警惕“涂层式异化”，且不应忽视非物质性要素和非审美维度的重要性。

关键词: 人文城市, 物质性, 非表征, 气氛美学, 像似

Abstract: The “literary paradigms” in the construction of humanistic cities, grounded in textualization strategies, prioritize the interpretation of deep meanings but consequently obscure the materiality and surfacelevel cultural significance of the humanistic city. The “surfacescape” serves as a crucial aesthetic resource for the humanistic city. Based on “iconic consciousness”, it highlights the cultural and aesthetic significance of materiality, generating diverse aesthetic experiences. The effective combinations of “surfacescapes” and their interaction with the body form situational and embodied “objectscapes”, constituting recognizable images of the city, fostering an interstitial aesthetic atmosphere, and mobilizing spatial production practices of bodily movement and inter-corporeal connections. The aesthetics of the “surfacescape” and the aesthetic practices of the “objectscape” embody aesthetic materiality, offering a new perspective for understanding and constructing humanistic cities.

Key words: humanistic city, materiality, non-representational, aesthetics of atmosphere, icon